New PDF release: Adrian Frutiger Typefaces: The Complete Works

By Heidrun Osterer (ed.), Philipp Stamm (ed.)

ISBN-10: 3038215260

ISBN-13: 9783038215264

The traditional paintings at the Swiss kind dressmaker: all typefaces — from layout to advertising — have been visually documented and analyzed as regards to the know-how and to similar typefaces.

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Adrian Frutiger tried differ­ ent widths for K and different elements for M, but in doing so drifted away from the initial concept. By test casting a few elements, words like ` Houtife' /02/ could be set. Joining letters offers interesting choices, giving them the appearance of logos /03/. This typeface design has similarities to the ` Rodin hat uns' design from the same time for a headline face, which evolved into Initiales Phoebus (see page 40). The details of ‘Element-Grotesk’ 1 were never elaborated, no doubt for financial as well as technical reasons.

Other characters were added later. I’m not sure whether a whole alphabet was ever produced for Kirchhofer, but at any rate the logo is still in use to this day. /04/ Undated proofs of ‘Federduktus’ with alternates and overviews of the characters used in each. Fe de r du ktus 49 Name of typeface Ondine Formal Script 421 • Commissioned by Deberny & Peignot Designer Adrian Frutiger Design | Publication 1953 | 1954 Typesetting technology Handsetting CRT and lasersetting Digital setting PostScript Manufacturer – Deberny & Peignot – D.

06/ Selections from the wide range of older shadow faces in the compo dp type specimen book, 1961. 40 j o b b i n g t y p e fa c e Of particular interest in connection with Phoebus is the monogram d & p /04/ in an advertisement by Deberny & Peignot, which appeared in the La France Graphique trade publication, no. 45 from 1950. Like Adrian Frutiger' s Phoebus the monogram has italic Latin shadow letters, although these are lowercase letters with outlined threedimensional shapes. The angle is virtually the same, and even the shadow shapes have the same angle and dimension.

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Adrian Frutiger Typefaces: The Complete Works by Heidrun Osterer (ed.), Philipp Stamm (ed.)

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